SERVICES
We build systems around the way you actually work.
From scanning and restoration to color grading, mastering and archival workflows, every component is designed to work as one coherent production environment.
Workstations, storage, networking and monitoring are selected, configured and tested as a complete system, giving you a reliable workflow from day one.
COLOR, RESTORATION & CINEMA VALIDATION
What you see in the grading suite should be what you see on the cinema screen.
Our image workflows bring scanning, restoration, color grading and mastering into one controlled environment, with final work validated through theatrical projection.
From preservation masters to cinema deliverables, projects can be completed with structured archival workflows and LTO-9 backup.
This gives you consistent, predictable results from the original film element to reference monitor, cinema screen and final archival master.
PRODUCTION / POSTPRODUCTION
From concept to final master, image and sound stay in one continuous workflow.
Production, editing, VFX, color grading and sound are handled as connected parts of the same process, keeping creative decisions consistent from start to finish.
Your project stays under control all the way to the final screen.
SOUND POSTPRODUCTION, DUBBING & RESTORATION
From original recordings and historical soundtracks to dubbing and complete audio postproduction.
With over 30 years of experience in recording, dubbing, synchronization, sound design and mixing, ATER provides complete audio postproduction for film, television, animation, advertising and archival projects.
Our studios have produced Croatian versions of major international titles, including films from the Walt Disney catalogue, alongside hundreds of commercials, documentaries, feature films and original productions.
For film heritage, we restore historical soundtracks with the same principle we apply to image: preserve the character of the original while recovering clarity, continuity and intelligibility.
Our audio work has been recognized with numerous industry awards, while restored soundtracks have accompanied ATER restorations presented at major international film festivals.
EQUIPMENT RENTAL
We rent out the Weisscam HS-2 high-speed digital camera The Weisscam HS-2 captures up to 4,000 fps in 12-bit uncompressed format and supports multiple lens mounts. It's ideal for extreme slow motion.
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Production / Postproduction / Restoration
